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Bookish Person

By Dick Anderson Photo by Dennis Drenner

A canceled poet, a toddling tortoise, and the Schwarzenegger of vacuum cleaners turn a D.C. bookstore upside down in Susan Coll 鈥81鈥檚 sixth comic novel

Susan Keselenko Coll 鈥81鈥檚 novels resist easy categorization. 鈥淢y books are usually targeted more as women鈥檚 fiction, but there鈥檚 also a dark comic thread running through them that is a little more literary in a sense,鈥 she says from her home in Washington, D.C. 鈥淚 don鈥檛 mean that in a pretentious way. Readers either love it or they don鈥檛.鈥

There鈥檚 a lot of love for Coll, who has built a loyal readership over the last 20 years with her acutely observed comedies of suburban life in the nation鈥檚 capital, including Rockville Pike (2005), Beach Week (2010), and The Stager (2014). Her 2007 novel, Acceptance, about an anxious mom trying to get her daughter into an Ivy League college, was adapted into a 2009 Lifetime movie starring Joan Cusack and Mae Whitman.

Coll鈥檚 latest novel, (to be published by Harper Muse August 2), takes place in an independent D.C. bookstore over the course of a 10-day stretch of summer 鈥減unctuated by political turmoil, a celestial event, and a perpetually broken vacuum cleaner鈥 (to quote the book鈥檚 press materials). It鈥檚 a milieu she knows well, having spent the better part of five years as events and programs director of Politics & Prose, the district鈥檚 premier independent bookstore.

In a 2014 Washington Post profile by Ellen McCarthy after the publication of The Stager, Coll was undecided about the subject of her next book鈥攖hough she had promised her bosses that it will not be 鈥渁 comic novel set in an independent bookstore.鈥

鈥淵es, that鈥檚 true,鈥 she admits with a laugh. 鈥淚 was not thinking about writing this book at all and I did keep telling them I wasn鈥檛 going to do it.鈥 (Politics & Prose owners Bradley Graham and Lissa Muscatine 鈥渉ave been very supportive of the book,鈥 she adds. 鈥淪ome of the incidents are familiar, but there are no characters that resemble anyone who worked at the store.鈥)

Ever after Coll took an extended leave to focus on her next novel, 鈥淭hey didn鈥檛 take me off the internal email distribution for at least a year,鈥 she recalls. 鈥淚 kept getting all the emails every day鈥攁nd they were so often about the vacuum cleaner being broken that it became a comedy in my mind.鈥 Hence, the vacuum cleaner became the inspiration for Bookish People.

Bringing to mind Arnold Schwarzenegger, 鈥渋f Arnold Schwarzenegger were a vacuum cleaner,鈥 Coll writes, the Querk III in the novel is not an actual product. But it was modeled after a particularly vexing Dyson that poured out all of the dust the first time she used it. 鈥淚 do have a fair number of broken vacuum cleaners in my life,鈥 Coll says. 鈥淚 don鈥檛 know why they鈥檙e amusing.鈥

A native New Yorker, Coll moved with her family from New Jersey to the Bay Area during her junior year of high school. 鈥淭hey were insisting that I stay in California for college,鈥 she says. When she saw Occidental, 鈥淚t reminded me a little bit of an East Coast campus at the time I was longing to be back there, but it was unambiguous love at first sight. I don鈥檛 want to sound cheesy but it really was among the best four years of my life.鈥

Coll in her days at SA国际传媒, photographed by Lisa Jack '81.
Coll majored in political science (with an emphasis in political theory) and worked on The Occidental newspaper, 鈥渨hich became a huge part of my college experience and really informed my writing life,鈥 she says. There was a bumper crop of writers among her peers, many of whom have enjoyed prolific careers in journalism and publishing. 鈥淎 lot of us are still in touch or at least peripherally in touch," Coll says.

鈥淏ooks were always what I was drawn to and that continued at Occidental,鈥 she adds. 鈥淭he first-year Collegium program introduced me to all of these great books. Professor Roger Boesche drew me into political theory, which really informed a lot of who I am.鈥

A class taught by Professor Norm Cohen would also inform her debut novel. As a freelance writer living in London with her then-husband, Steve Coll 鈥80, 鈥淚 was writing a feature story about some quirky museums in London when I stumbled upon a Karl Marx museum. The librarian mentioned that Marx鈥檚 daughter, Eleanor, had stood at this particular window delivering a speech before she committed suicide [she poisoned herself at age 43]. And that really captured my imagination.鈥

In researching Eleanor鈥檚 life, Coll learned that the Marx family had lived in the same south London neighborhood where she was then living. She wound up weaving that research into the story, about a graduate student whose life starts to parallel that of her thesis subject鈥擡leanor Marx. 鈥淚n a kind of comic thread, I tied it back to the intensity with which we all were studying political theory at SA国际传媒 and I was highlighting Das Kapital [Marx鈥檚 classic 1867 text] and trying to really understand it.鈥 (In hindsight, she laughingly admits, 鈥淚'm not sure I understood that I didn't really need to know this in the 1980s.鈥)

Published by Simon & Schuster in 2001, karlmarx.com was received warmly by critics鈥擲ia Michel, writing in The New York Times, called it 鈥渇izzy 鈥 an academic parody that also brims with chatter about smart women鈥檚 foolish choices.鈥 By then, Coll was deep into writing Rockville Pike. 鈥淚 had a literary agent, an editor, and a publisher, so I wanted to seize the moment and finish the second book as quickly as I could.

鈥淚 envy people who say they outline and they know what they鈥檙e doing,鈥 Coll says of her writing process. 鈥淚 begin with an idea鈥攕ometimes I don鈥檛 really know where that idea鈥檚 going. I do a lot of drafts, a lot of revisions. I find it takes me a while to find the spark of it. I鈥檓 working on a book right now that I know the story and I know the idea, I鈥檝e got 100 pages but I know something鈥檚 not working. But then I remind myself that it always feels that way until I figure out what that is and then it falls into place. It鈥檚 the same every time.鈥

Bookish People is set in August 2017, during a timespan framed by two real-life occurrences: a white supremacist rally in Charlottesville, Va., that left a counter-protester dead, and a solar eclipse 10 days later. Even in what is essentially a light summer read, Coll says, 鈥淚 always want to have something a little bit grounding. And I wanted to capture that time鈥攂oth the darkness of Charlottesville, and the solar eclipse at the other end.鈥

In another nod to social norms, a fictitious character in the book is a disgraced poet of international renown鈥攚ho may or may not be the events coordinator鈥檚 biological father鈥斺渨ho鈥檚 basically been canceled before canceled was in our lexicon,鈥 Coll says. Then again, there鈥檚 also a store tortoise named Kurt Vonnegut Jr., after the Slaughterhouse-Five author. (鈥淚nasmuch as a tortoise can resemble a human, he did look a little like Kurt Vonnegut Jr. with his droopy face,鈥 Coll writes in Bookish People.)

鈥淚 sat in a lot of meetings when I was in a managerial role, trying to figure out things like our pet policy,鈥 she recalls of her time at Politics & Prose. 鈥淎t the time, you could bring your pets to work, which was lovely.鈥 But you can have too many dogs in a bookstore, she notes, 鈥渁nd there was one that growled at the authors who would come in to speak.鈥

Even before she worked at a bookstore, Coll subscribed to a number of industry blogs. She tangentially knew Graham and Muscatine鈥斺渢hey were friends of friends鈥濃攁nd around the time they purchased Politics & Prose in 2011, she wrote them a memo with ideas about expanding community programming and adding classes and expanding events. Consequently, they offered her a job as events and programs director.

After her youngest child left for college, 鈥淚 just wanted to have a job,鈥 says the mother of three. 鈥淚 like being engaged in the business of books颅. It doesn鈥檛 seem like it would be stressful but there鈥檚 drama every day.鈥 Although Coll won鈥檛 name any names, 鈥淭here have definitely been some challenging authors who have come through the store.鈥

Of all the events she has worked on, her favorite was meeting Joan Didion at a 2011 event to promote Blue Nights鈥Didion's wrenching memoir about the death of her daughter at age 39. 鈥淪he meant a lot to me as a young woman, poring over her essays,鈥 Coll says of Didion. 鈥淪he was frail in her later years, and it was a powerful thing to be in the same room and watch that event unfold. I tried to be a fly on the wall to make her happy and warm鈥擨 brought her soup and helped her sign books.鈥

Even six books into her career, 鈥淓verything always feels tentative to me in publishing,鈥 Coll admits. 鈥淚 take every little job that comes along because I always want to have a backup plan.鈥

Caveat notwithstanding, these are pretty good gigs. Coll frequently reviews books for The Washington Post, The New York Times, and other publications. She also is president of the PEN/Faulkner Foundation, which presents the annual PEN/Faulkner Award for fiction and brings writers into Title I schools.

Joan Cusack, Mae Whitman, and Mark Moses in the 2009 Lifetime movie adaptation of Coll's novel Acceptance.
She has taught for nearly 20 years at The Writer鈥檚 Center, which empowers both published and aspiring writers through workshops, events, and creative collaboration. Each year since 2015, she has worked with up to 10 students in a yearlong writing workshop titled Novel Year. 鈥淚 love working with students and watching them help one another,鈥 she says. 鈥淪ometimes I feel like my only skill is that I can look at a manuscript and see how to make it at least turn in a different direction.鈥

Coll also brings guest speakers to the class, including literary agents and other people in the business. 鈥淚 want students to leave with a draft pointed in the right direction but also some basic knowledge of how publishing works,鈥 she says. The pivot to remote learning has opened up the course to students regardless of location, and this year Coll has students in Santa Fe, N.M., Newark, Ohio, and Annapolis, Md. 鈥淚t鈥檚 nice to have people Zooming in from all over.鈥

She recently returned to Politics & Prose in a consulting role, and worked an event in May celebrating the release of George Stevens Jr. 鈥53鈥檚 memoir, My Place in the Sun. 鈥淚 never mentioned to him that I am a writer,鈥 Coll says, 鈥渁nd then I heard him on NPR mention that he鈥檇 gone to Occidental. I never knew that. That鈥檚 so funny.鈥

Coll will be in conversation with Cynthia D鈥橝prix Sweeney (author of The Nest and Good Company) at Vroman鈥檚 Bookstore (695 E Colorado Blvd., Pasadena) on Thursday, Sept. 15, at 7 p.m.